备注：已完结
类型：剧情片
主演：MichelleTaylor;KurtTocci;MichaelLea
语言：英语
年代：未知
简介：一位高中教师在与他垂死的朋友重新联系时对他的信念进行了测试。面临着失去工作，他还得找到一种方法来帮助他的学生，重新联系起他的过去，记住生活中真正重要的事情。
备注：已完结
类型：剧情片
主演：Rémy Girard Claude Legault Fanny Ma
导演：Daniel Grou
语言：法语
年代：未知
简介：布鲁诺（Claude Legault 饰）和西尔维（Fanny Mallette 饰）是一对感情十分要好的夫妻，两人养育着乖巧可爱的女儿杰斯敏（Rose-Marie Coallier 饰），生活很是平静与幸福。无奈天降横祸，一次意外中，杰斯敏竟然被一变态凶手玷污并且杀害了，面临着巨大的打击，布鲁诺和西尔维的精神都到达了濒临崩溃的边缘。 尽管最终凶手被警方捉拿归案，但布鲁诺心中的愤怒却并没有因此而有半点减轻，法律可以惩奸除恶，却并不能为布鲁诺带来救赎，一个念头在他的脑海中诞生了。布鲁诺绑架并囚禁了凶手，在未来的七天里，他决定对其施加肉体上的最大痛苦，最后手刃仇敌。可是，仇恨真的能够因此而消失吗？在给予敌人痛苦的同时，布鲁诺也如同身处地狱之中。
备注：已完结
类型：剧情片
主演：克里斯汀·查特莱恩 丹·佩恩 Rebecca Roberts Nia
导演：Sam Fichtner
语言：英语
年代：未知
简介：Hospital physician June Lowe and successful author Rick Lowe have a seemingly perfect marriage, the one sticking point between them being the issue of children. Rick wants June to give up her career so that they can start a family, and while June is not averse to the notion of children, not only does she not want to give up her career but expand into writing herself, she not un...
备注：已完结
类型：剧情片
主演：Jasmine Thiré Michel Jeannès Jacky
导演：阿涅斯·瓦尔达
语言：法语
年代：未知
简介：Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”
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类型：剧情片
主演：英格丽·褒曼 马蒂亚斯·维曼 RenateMannhardt
导演：罗伯托·罗西里尼
语言：英语
年代：未知
简介：Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick"s last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy"s reassuring childish motto "there"s no place like home" is ironically updated to the adult circumstantial adage "there"s no sex like marital sex". Kubrick"s take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman"s been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can"t. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman"s Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple"s venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn"t dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it"s the "fairy godmother" who speaks the last words in the movie.
