备注：已完结
类型：剧情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
语言：其它
年代：未知
简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
备注：已完结
类型：喜剧片
主演：JeffersonBrown DavidPhillips CarloR
语言：英语
年代：未知
简介：Dagen（David J. Phillips 饰）和Kenny（杰弗森·布朗 饰）是最好的朋友，两个人来到纽约寻找爱情。其中一人发现他梦想的女孩，恰好是该城中最大的黑帮头目的女儿，于是他们联合起来在牌桌上诈骗了女孩的暴徒老板爸爸共计100万美元。接下来意想不到的事情发生了……
备注：已完结
类型：剧情片
主演：TamásPuskás ZsuzsaNyertes Zsuzsa Ny
语言：无
年代：未知
简介：酷爱旅行的乔尼克被森林女巫的魔力所伤、路经此地的舍特勒国公主拉尼卡帮助他逃出森林，并与他结下情缘。为验证这份感情，国王令乔尼克出外六个月，当乔尼克归来时，公主、国王和臣民都在女巫的符咒的控制下变成了鸭子。乔尼克吐露心声，使众人恢复了人形，而自己却又不幸被变成了鸭子。乔尼克吐露心声，使众人恢复了人形，而自己却又不幸变成了鸭子。 为摆脱魔法的控制，与乔尼一起生活，拉尼卡决定去寻找能解脱他们的阿佳坦·库坦巴尼国王。路上他们帮助大盗“捉迷藏”组建足球队，开导性情古怪的雷兹班埃。教育有血缘关系的兄弟团结友爱。经历了千辛万苦，终于在阿佳坦的帮助下，摆脱了魔法的控制，喜结良缘。
