备注：已完结
类型：福利电影
主演：Han Soo-ah (한수아) Han Ga-lim (한가림) H
导演：Sin Jeong-gyoon (신정균)
语言：韩语
年代：未知
简介：这是一个二十四岁的青年，是当地小城镇的邮局工作人员。虽然生活在二十个，和纯梦想许多令人兴奋的黄金时代之中，过着的生活，仅有的生命和青春的小小年纪的，胆小的自然难辞其咎。她不知道咖啡的味道，但她周围很天真。但谈到她的家庭，她完全不同。 名义零责任的父亲，无耻的祖父，古怪neutdungyi不可控的弟弟是老得足以成为未来无色到暗samsusaeng哥哥不衡量... 家庭男性唯一关心的只是女性和女性！ 爸爸击打来自bokbuin吐和哥哥都已经迷上父亲的咖啡店女招待烧手（？）。护理新奶奶最小的，而在给爷爷和seongyowon老师球到人的家庭饲养全权负责插迷人的水平基本上是妈妈的美容院。风，但很适合我，不诚恳yeonwoo女性鸭这个家庭要跟上...... 它涉及到生活一度似乎是男人的就看不到了法国保持yeonwoo初恋的微风。Yeonwoo找到一些匿名信，刺激模拟时代的怀旧和她已交付的邮件感到欢欣鼓舞。继续yeonwoo想知道谁不愿透露姓名的字母中的主人公，发现了她的邮局经理，磷不是别人，正是我写了一封信字符。没有准备，也没有保护yeonwoo臣服于他。但是，磷是一个已婚男人与一个明显的geoneurigo cheojasik。初恋牵引电缆也可能辱没24年的初恋，它hapil婚姻生活开始了-它只是抱着yasok同样的命运成为现实。 在爱情yeonwoo遭受场合无法做到的... 新的恋人造成的母亲。对于感官memalratdeon朋友的觉醒-这个家伙不应该模糊的激情来回哥妈妈... 家庭暴露未受保护的吹像疯了似的风遇到。为了使问题更糟糕-我爸的身体，思想和bokbuin所揭示的谁专门gamyeo由酒店高达yeonwoo关的家族史即将到来的危机崇拜骗子...... 该yeonwoo和家庭风前密封灯泡和冲突可以通过这个危机导致我们... ？ 对于一个淫秽淫荡的家庭来说，这有点奇怪而且有点特别的感情......令人愉快的故事展开！
备注：已完结
类型：福利电影
主演：Yoo-Chan Lee 李恩美 姜艺娜 Seong-soo Je
语言：韩语
年代：未知
简介：小伙子是个处 男，新搬家第一天晚上就被父母的啪 啪 声搅得浴 火 焚 身。次日，妈妈的朋友邀请小伙到她家，并勾 引了他。小伙起初还奋力反抗并跑回房间，然而阿姨曼 妙的身姿整夜在他脑海重现。第二天早上再遇到阿姨时小伙再也控制不住了，两人从沙发到地板到车上到床上再到楼梯上没日没夜的啪 啪 啪。一日，两人啪 啪完毕，情侣般倚在一起看电影。这时候阿姨的女儿出现了，两个年轻人一见钟情。次日，小伙子就带着小姑娘去玩耍，接着是开房啪 啪 啪。阿姨知道后很愤怒，大骂小伙负心薄幸，不幸这一幕被小姑娘听到了，于是...
备注：已完结
类型：剧情片
主演：金瑞亨 杨在成 Jae-Seong Yang 元美媛 Mi-won W
导演：李率熙
语言：韩语
年代：未知
简介：The life of Moonjung, the main character of Greenhouse, is not happy. She suffers from a psychological disorder, her young son is locked up in a juvenile detention center, and since she has no home, she lives in a greenhouse. She sometimes sees a man, but she’s not sure if she really loves him. However, since she is nice and sincere, she works as a caregiver for an elderly coup...
备注：已完结
类型：剧情片
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min
导演：尹龙奎
语言：韩语
年代：未知
简介：Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
