备注:已完结
类型:剧情片
主演:克利斯提·普优 Clara Voda Catrinel Dumitre
导演:克利斯提·普优
语言:其它
年代:未知
简介:在一所公寓的厨房中,一对夫妻为避免吵醒隔壁房中熟睡的女儿,低声谈论着小红帽的故事。郊区空地上,这个男人躲在一排废弃的拖车后静默地观察一群人,后者似乎是一家人。同一个城市,同一个男人:他带着两枚猎枪击针穿越在堵塞的车流中。男人42岁,名叫Viorel。他被自己阴暗的想法所震惊,穿越整个城市,前往只有他自己知道的一个目的地。 An apartment kitchen a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping in the next room. A wasteland on the city’s outskirts behind a line of abandoned trailers, the man silently watches what seems to be a family. The same city, the same man driving through traffic with two hand-made firing pins for a hunting rifle. The man is 42 years old, his name - Viorel. Troubled by obscure thoughts, he drives across the city to a destination known only to him.
备注:已完结
类型:剧情片
主演:Gilles Vandeweerd 维克多·弗拉代特 Xavier C
导演:玛芮妮·勒维尔
语言:法语
年代:未知
简介:从近处看,米克尔似乎在欲望的笼罩中四处走动:找到他失踪的猪,获得生物学证明,在菜子沙漠中打破孤独。 但是,更进一步,米克尔似乎反而吸引了保罗。
备注:已完结
类型:剧情片
主演:MorganValBaker GeorgiaEllery Martin
导演:马克·詹金
语言:英语
年代:未知
简介:康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.