备注：已完结
类型：喜剧片
主演：崔茜·尤玛 约翰尼·诺克斯维尔 塞尔玛·布莱尔 敏科·斯荳 韦斯·约翰
导演：约翰·沃特斯
语言：无
年代：未知
简介：故事发生在美国马里兰州的巴尔的摩，西尔维娅（崔茜·尤玛 Tracey Ullman 饰）和丈夫沃恩（克里斯·艾塞克 Chris Isaak 饰）结婚多年，两人共同经营着一间便利店。每一天，西尔维娅都要亲手打理店里的上上下下，除此之外还要操心叛逆的女儿卡普莱斯（塞尔玛·布莱尔 Selma Blair 饰），繁琐的生活让西尔维娅早已经精疲力尽，没有闲心来维系和丈夫之间的关系。 一场车祸让西尔维娅患上了脑震荡，但和普通的脑震荡不同，西尔维娅的病情是以产生强烈的性冲动来表现的。自此之后，西尔维娅的性格变得越来越狂野和放荡，这令起初窃窃自喜的沃恩渐渐感到有些力不从心。
备注：已完结
类型：喜剧片
主演：琼·阿利森 彼特·劳福德 Patricia Marshall
导演：查尔斯·沃尔特斯
语言：英语
年代：未知
简介：At fictitious Tait University in the Roaring 20's, co-ed and school librarian Connie Lane (June Allyson) falls for football hero Tommy Marlowe (Peter Lawford). Unfortunately, he has his eye on gold-digging vamp Pat McClellan. Tommy's grades start to slip, which keeps him from playing in the big game. Connie eventually finds out Tommy really loves her and devises a plan to win him back and to get him back on the field.
备注：已完结
类型：科幻片
主演：伊桑·霍克 乌玛·瑟曼 裘德·洛 艾伦·阿金 戈尔·维达尔 山德·贝克
导演：安德鲁·尼科尔
语言：英语
年代：未知
简介：未来的世界，科技的力量胜过一切，基因决定命运，几乎成为金科玉律。不幸文森特（伊桑•霍克 Ethan Hawke 饰）是一个基因不良的人，出生以来就决定了他近视和心脏病的缺陷，他只能活到30岁。于是父母为文森特增添了一个有着优良基因的弟弟。 文森特的梦想是漫游太空，然而恶劣的基因令他无法圆梦，直到他遇到了太空中心的杰罗姆（裘德•洛 Jude Law 饰）。杰罗姆有优秀的基因，却在一次意外中半身瘫痪。二人决定调换身份，文森特千方百计隐藏自己的基因信息，每天都认真清洗掉自己的皮屑毛发，不暴露任何蛛丝马迹。另一方面，杰罗姆帮他筹备进入太空前需要检查的基因物品。事情进展得非常顺利，然而一桩谋杀案和一根睫毛，让事情节外生枝。
备注：已完结
类型：科幻片
主演：克里斯托弗·加吉 伊丽莎白·霍尔姆 Matt Lagan Paul A
语言：英语
年代：未知
简介：《超级鲨大战机器鲨》是一部科幻灾难片。影片讲述了一只新的巨型鲨鱼出现在太平洋里，使海洋安全受到了巨大的威胁，为了阻止巨型鲨带来的破坏，美国政府为此也极为头疼。他们曾经想过各种方式，最终美国政府决定用科学家近期发明的巨大机械鲨鱼来应对这只超级大鲨鱼，整个过程中机器鲨也遭到了前所未有的袭击。在科研人员操作下的机械鲨和恐怖的巨型鲨即将展开的这场恶战中，到底孰胜孰败呢？在经历了恶斗之后，人类是否可以彻底打败这只巨型鲨鱼呢？
备注：已完结
类型：恐怖片
主演：Marshall Thompson Shirley Patterson
语言：英语
年代：未知
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
