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类型：剧情片
主演：阿丽萨·弗雷因德利赫 拉丽萨·古泽耶娃 尼基塔·米哈尔科夫 安德烈·米
导演：埃利达尔·梁赞诺夫
语言：无
年代：未知
简介：影片根据旧俄剧作家亚历山大·奥斯特洛夫斯基的戏剧《没有陪嫁的新娘》改编。 才貌双全的拉丽沙是城里许多人追求的对象，她的母亲想把她嫁给有钱人，从而自己过上好日子，拉丽沙倾心于大富豪巴拉托夫，并委身于他，但后者已与一个以金矿为陪嫁的小姐订婚，就在拉丽沙失望之际，她倒在了不曾爱过的未婚夫的枪口下。 本片曾于1985年获全苏影业最佳故事片、最佳摄影、最佳作曲、最佳男主角奖。俄罗斯大导演和演员米哈尔科夫在片中的表演和演唱都异常精彩。俄罗斯最具影响力的民谣歌手安德烈·彼得罗夫为该片谱曲。
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类型：剧情片
主演：Aleksei Ananishnov Gudrun Geyer
导演：亚历山大·索科洛夫
语言：其它
年代：未知
简介：在俄罗斯某个偏僻的小山村，人烟罕至，静谧非常，这里的景色如同律动的油画一般，美得忧伤，美得窒息。 一位老母亲（Gudrun Geyer 饰）即将走到人生的终点，时间已没有意义，每一刻都会成为永恒。儿子（Aleksei Ananishnov 饰）陪在母亲身边，精心照料她的起居。他耐心倾听着母亲关于梦的叙述，带着她出外散心，为她读明信片。在秋风骤起的时节，这对母子默默地享受着这最后的聚会…… 本片荣获1997年莫斯科国际电影节安德烈•塔科夫斯基奖、俄罗斯电影评论奖和评审团特别大奖。
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类型：剧情片
主演：Aleksander Ristic Cynthia Bravo Mat
语言：英语
年代：未知
简介：R.D. Womack II's patiently paced thriller has been hailed, as thrilling as it is beautiful - Brian Corsetti, HollyScoop. Follow Lester; a privileged underachiever who awakes to find himself kidnapped and stranded in a snowbound cabin. Along with Viviana, another captive, the two must survive the brutal onslaught of winter and outsmart their kidnapper; a sniper calling himself Wolf. With a blizzard bearing down on them the pair embarks on a deadly game of survival. Will the pair find a way through the winter storm to freedom, or will the mountain become their icy grave
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类型：剧情片
主演：AleksandrBukharov;OksanaAkinshina;A
语言：其它语言
年代：未知
简介：童年时代的悲惨经历让勇敢战士猎狼犬（亚历山大·布哈罗夫 Aleksandr Bukharov 饰）的心中充满了仇恨，即便失去了自由沦为奴隶，但猎狼犬心中的仇恨却并没有因为时间的流逝而有半分减损。终于，猎狼犬找到了机会逃脱了敌人的禁锢，不过故事并没有就此结束，因为还有更重要的事情在等待着猎狼犬去完成。 海伦公主（奥莎娜·阿金什那 Oksana Akinshina 饰）遭遇了被诅咒的命运，她不仅被迫和恶魔的儿子维尼塔（安纳托里·贝利 Anatoli Belyj 饰）订下了婚约，还为了召唤邪恶的女巫而献出了自己的鲜血。猎狼犬的到来替海伦公主带来了希望，在敌人重重的包围之中，猎狼犬能够顺利的完成自己的任务吗？
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类型：剧情片
主演：马里乌什·德莫霍夫斯基 贝娅塔·蒂希基维茨 菲耶夫斯基·塔德乌什 Ja
导演：沃伊切赫·哈斯
语言：其它
年代：未知
简介：The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)
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类型：喜剧片
主演：Yelena Tsyplakova 伊戈尔·斯克利亚尔 Aleksan
语言：其它
年代：未知
简介：有人戏称这部电影是“四个男人的一台戏”。 影片中基本没有特别引人的情节，没有激烈的动作打斗场面，甚至没有撩人心弦的爱情故事，然而绕有趣味的是，影片除却赢得了1700万观众，还被当时权威电影杂志《苏联银幕》评为1983年最佳影片。 这样一部既叫座又叫好的影片讲述了前苏联20年代四个青年音乐家组办爵士乐队的故事。在那样一个“火红的年代”，属于“资本主义意识形态”的爵士乐很难被苏联官方接受。出现在影片中几乎所有文化场合的标语“艺术要为劳动人民服务！”是那个时代的典型象征。四个热爱爵士乐的青年就这样不合时宜、一波三折地进行着他们“不可能完成的任务”。 影片拍摄完成的80年代，苏联人已经开始通过一些“非法渠道”接触西方文化，当时，《巴黎最后的探戈》录像带开始半地下流行，持不同政见歌手的音乐会也几乎场场爆满。因此，在这样一种社会背景下影片中发生的故事立刻能得到观众的认同，主人公们对理想的执着、对自我价值的肯定、对友谊的坚持也让人感觉亲近和鼓舞。 影片运用幽默诙谐的手法对时代进行嘲讽，用优美的音乐旋律和舞蹈动作打动观众，一个本应沉重的题材得以让人轻松地内省。 导演卡·沙赫纳扎罗夫、编剧亚·巴拉基杨斯基、摄影弗·舍弗兹伊克构成了一个强力组合， 剧本经过10次修改，人物性格设计上的差异赋予了演员极大的发挥空间。透视片中时代里的个体、音乐里的个性，我们看到一种俄罗斯哲学的智慧。或许有一天，你已经忘记了影片故事的情节，但是某些掺杂着辛酸与甜蜜、沮丧与欣喜的电影画面会在脑海中悄然浮现。 影片获1984年法国格勒诺布尔国际音乐片电影节评委会特别奖，波兰罗兹国际电影节银奖，并参展1984年伦敦、芝加哥、贝尔格莱德等电影节。
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类型：剧情片
主演：Aleksandr Anikeenko Sergey Chernov
语言：其它
年代：未知
简介：Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.
