备注：已完结
类型：爱情片
导演：W.S.范戴克
语言：英语
年代：未知
简介：又名《野人泰山》，是有声片时代拍摄的第一部泰山片。男主角是奥运游泳健将约翰尼．韦斯穆勒，与莫琳奥沙利文饰演的珍形成英雄美人的配搭，在三十年代曾轰动一时。剧情描述英国女孩珍与父亲及男友一齐前往非洲找寻大象的墓穴。途中，珍碰到危险失声尖叫，被泰山从树丛中摆荡而出，将她救到树顶。从此，珍便情不自禁爱上了泰山。后来，珍等一行人遭野蛮的矮人族俘虏，几乎成为黑猩猩的点心，幸好被泰山率领一群大象前来救出人质。导演W．S．范戴克将无拘无束的原始生活气息表现得颇为令人神往，外景与森林内搭景的配合也几可乱真。由于本片当年在商业上的成功，男女主角一共拍摄了六部泰山电影。
备注：已完结
类型：剧情片
导演：蔡楚生
语言：国语
年代：未知
简介：广东某大学学生洪瑜（高占非饰）、丘有为（刘继群饰）与尤湘同在校外租屋居住洪属意邻室少女小鸿（陈燕燕饰），丘察其心迹，鼓励其致书试探。洪决心一试，果得小鸿青睐，遂成莫逆。不久，洪接江南家中电报言父病危，遂束装别小鸿归家。父临终言明洪学费皆由舅家所赠，嘱子必与表妹结婚以报其恩。洪无奈，遵父嘱娶表妹为妻。小鸿未知其情，犹依依盼望。后洪、丘、尤三人奉派赴法国留学，途经香港，洪得以与小鸿晤面。洪不忍误小鸿终身，以实情相告。小鸿痛失所爱，又逢慈母见背，伶仃孤苦，忧伤成疾。不久，洪在巴黎接家书，谓其妻不惯家庭束缚，行为不检，正向法院请求离婚。洪乃将回国日期急电小鸿。及返，见小鸿已病入膏肓。小鸿从容勉曰：“万方多难，正是男儿报国之时，勿为儿女私情所误”。言毕含笑而逝。
备注：已完结
类型：喜剧片
主演：C.奥布雷·史密斯 莫里斯·舍瓦利耶 珍妮特·麦克唐纳
导演：鲁本·马莫利安
语言：英语
年代：未知
简介：When Parisienne tailor Maurice Courtelin learns that one of his aristocratic clients, the Viscount Gilbert de Varèze, is a deadbeat who never pays for the merchandise he acquires, he heads off to try and collect what is owed to him. He gets little in the way of cash from the Viscount who is desperate that his uncle, the Duke D"Artelines not learn of his debts. He suggests that Maurice spend a little time at the chateau until the money can be found. The Duke takes an immediate liking to Maurice - who"s been introduced as a Baron - but that"s not the case for the Princess Jeanette who, after an encounter with him him on the road earlier that day. Over time Jeannette falls in love with him Written by garykmcd
备注：已完结
类型：剧情片
主演：葛丽泰·嘉宝 约翰·巴里摩尔 琼·克劳馥 华莱士·比里
导演：爱德芒德·古尔丁
语言：英语
年代：未知
简介：在柏林的一家大饭店里那时整个德国笼罩着经济危机的阴影。在豪华的大饭店里麇集许多来自不同阶层的人物。其中有陷入困境而避风头的财界巨擘普莱辛格，无奈色衰而想自尽的芭蕾舞演员格鲁辛斯卡娅，被赌博弄得倾家荡产而偷窃为生的旧男爵冯盖根，普莱辛格的旧属风烛残年的孤老克林格兰，以及年轻漂亮但贪婪自私的速记员弗兰苓等。这部第5届奥斯卡最佳影片是米高梅在30年代初期首创“全明星电影”的代表作。全片以柏林的一家豪华大饭店为人生舞台，表现五组人物在同一天之中的离奇遭遇。叙事手法虽然中规中矩，但几位大明星的表演却相当精彩，充分掌握角色的个性和处境，其中有：面临事业危机的俄国芭蕾舞女星、嗜赌的男爵、患上绝症的小人物、企业家等。这些角色以三线交错的方式上演着人生的悲欢离合，剧情发展流畅，场景虽然局限在大饭店中，但人物穿梭流动自然。故事在后来的《柏林饭店》（Hotel Berlin）和《琼楼风月》（Weekend at the Waldorf）中再度出现，并被改编成百老汇歌舞剧。
备注：已完结
类型：爱情片
语言：英语
年代：未知
简介：Critic Leonard Maltin describes "Three On A Match" as a "hard hitting example of forbidden Hollywood". That it is, no happy endings here, as this depression era film follows the rise and fall of childhood friends who get caught up in the seamy underworld of booze, drugs and gambling, ultimately trading places along the way.The three friends are Mary Keaton Bernard (Joan Blondell), Vivian Revere Kirkwood (Ann Dvorak) and Ruth Wescott (Bette Davis), shown growing up between 1919 and 1932 as a montage of newspaper headlines place the story in a historical context. Blondell's character is a reform school standout, whose life experience puts her in a position to counsel a depressed and "fed up with everything" Vivian. Viv takes up with small time hood Mike Loftus (Lyle Talbot) after disappearing with her young son from a cruise ship. Loftus ingratiates himself with mobster Harve (Humphrey Bogart in a minor role) and his boss Ace (Edward Arnold) by going into debt for two grand. The desperate creep attempts to blackmail the boy's father, wealthy lawyer Robert Kirkwood (Warren William), but that plan heads south as the cops quickly close in. Vivian's resolution is one of the more depressing finales to a tale that realistically depicts a pair of unfortunate souls whose lives spiral completely out of control.The film does have it's share of light moments; one of the newspaper clippings describes the new fashion trend in beachwear, a "brief" sun suit, ably modeled by Bette Davis. In stark contrast, Mr. Kirkwood's attire of choice is a business suit and tie while sitting under a beach umbrella, hard to work up a good tan that way. Davis' screen time is limited but effective, with a sit up and take notice scene where she's shown wearing just a slip early in the film, rather daring for the era and showing more skin than one might expect.Warner Brothers/First National masterfully portrayed the down and out, seamy underside of life during the 1930's, '40's and '50's, tackling all manner of subjects in their movies. "Three On A Match" tells it's tale without a wasted moment, sometimes relying on scenes that only last a few seconds to move the story along. It's hard edged and no nonsense, all the more provocative for it's mature subject matter and realistic portrayals; highly recommended.
