备注：已完结
类型：剧情片
主演：樊尚·埃尔巴兹 艾曼纽·贝阿 切基·卡尤 海诺·费尔希 格雷戈里·德朗
语言：法语
年代：未知
简介：故事发生在17世纪的法国，达达尼昂（樊尚·埃尔巴兹 Vincent Elbaz 饰）是一名心里怀揣着梦想的天真少年，梦想着自己能够成为名扬千里的火枪手只身一人来到巴黎的达达尼昂，在一场意外之中结识了三名真正的火枪手阿托斯（海诺·弗兹 Heino Ferch 饰）、波托斯（格莱高利·嘉德波瓦 Grégory Gadebois 饰）和阿拉米斯（格雷戈里·德朗杰尔 Grégori Derangère 饰），四人很快就结下了坚实的友谊。之后，达达尼昂还邂逅了王后的闺蜜，温柔美丽的康丝坦斯（戴安娜·阿姆夫特 Diana Amft 饰），他瞬间就坠入了爱河。 王后在暗地里和白金汉公爵保持着情人的关系，在一次误打误撞之中，她将国王送给自己的项链转赠给了情人，这下可急坏了王后。
备注：已完结
类型：剧情片
主演：帕特里克·迪瓦尔 阿里尔·贝西 莫里斯·罗内 杰纳维夫·马尼奇 莫里斯
导演：贝特朗·布里叶
语言：法语
年代：未知
简介：对于音乐家雷米（帕特里克·迪瓦尔 Patrick Dewaere 饰）来说，日子变得越来越不好过，不仅仅是职业上的停滞不前，妻子一成不变的容颜和乏味的婚姻生活也让他几近抓狂。就在这个节骨眼上，妻子车祸身亡的消息让雷米感到震惊却又有一丝解脱，而妻子留下的14岁的继女玛丽安（阿里尔·贝西 Ariel Besse 饰）也成为了一个包袱。 玛丽安的生父想夺回玛丽安的抚养权，没想到，小小的玛丽安却更愿意和继父生活在一起。同一屋檐下，这对没有血缘关系的“父女”之间的情感变得朦胧而又暧昧。对于玛丽安的火热表白，雷米从最初的果断拒绝到之后的欲拒还迎，他能否守住伦理道德的最后一条底线呢？
备注：已完结
类型：剧情片
主演：帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·
导演：马塞尔·卡尔内
语言：法语
年代：未知
简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
备注：已完结
类型：剧情片
主演：西尔维娅·巴塔耶 雅内·马尔肯 安德烈·加布里埃洛 加布丽埃勒·丰坦
导演：让·雷诺阿
语言：法语
年代：未知
简介：故事发生在1860年的巴黎，杜弗先生（安德烈·加布里埃洛 André Gabriello 饰）带着妻子（雅内·马尔肯 Jane Marken 饰）、女儿昂利艾特（西尔维娅·巴塔耶 Sylvia Bataille 饰），以及在店里帮忙的小伙计安纳道尔（Paul Temps 饰）一起前往乡间度假，他们的目的地是布兰叔叔（让·雷诺阿 Jean Renoir 饰）经营的小旅店。 乡间的景色十分的怡人，气温也恰到好处，吃过晚饭后，杜弗先生带着安纳道尔去钓鱼了，亨利（Georges D'Arnoux 饰）和赫多尔夫则陪着杜弗太太以及昂利艾特去湖上划船。哪知道杜弗夫人和赫多尔夫之间竟然碰撞出了激情的火花，而昂利艾特也难敌亨利的热烈攻势，顺势倒在了他的臂弯中。
备注：已完结
类型：恐怖片
主演：伊莎贝尔·于佩尔 雅克·迪特隆 安娜·穆格拉利斯 罗多尔·保利 米歇尔
导演：克洛德·夏布洛尔
语言：其它语言
年代：未知
简介：安德烈（雅克·迪特隆 Jacques Dutronc 饰）和妻子丽斯贝斯带着儿子吉列姆（Rodolphe Pauly 饰）前往巴黎，因为经济拮据，一家人暂时住在好友米卡（伊莎贝尔·于佩尔 Isabelle Huppert 饰）家中，米卡热情的接纳了三人。某日，丽斯贝斯驱车参加晚会，途中遭遇车祸不幸身亡，而法医鉴定出车祸当晚，丽斯贝斯服用了大量安眠药，这一结果成为了笼罩在吉列姆心头的阴影，因为他怀疑母亲的死并非一场意外。 一晃眼多年过去，安德烈成为了名扬四海的著名钢琴家，而米卡亦变成了吉列姆的后妈。某日，名为让娜（安娜·莫格拉莉丝 Anna Mouglalis 饰）的少女找到了安德烈，向他拜师学艺。实际上，让娜一直怀疑自己是安德烈失散多年的女儿。
备注：已完结
类型：剧情片
主演：让-皮埃尔·利奥德 德菲因·塞里格 克洛德·雅德 迈克尔·朗斯代尔 哈
导演：弗朗索瓦·特吕弗
语言：法语
年代：未知
简介：本片是特吕弗著名的“安托万系列”的第三部，但影迷通常忽视短片《Antoine et Colette》误将其认作第二部。 23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）从军队逃出后，虽侥幸逃脱惩罚，却因殴打警察入狱，不良记录对 他找工作造成妨碍，他先后做过旅店守门人、私家侦探等职业。过程中，安托万联系上了昔日女友克里斯汀。两人的感情暧昧而不确定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，感情的天平开始在两个女人之间摇摆。
