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类型：欧美剧
主演：罗丝·麦克莱弗 乌特卡什·安邦德卡尔 布兰登·斯科特·琼斯
导演：特伦特·奥唐纳
语言：英语
年代：未知
简介： CBS宣布开发英剧《鬼屋欢乐送 Ghosts》的美版，Lionsgate及BBC Studios合作制片﹑由Joe Port及Joe Wiseman负责。《鬼屋欢乐送》讲述一对年轻夫妇搬到梦想的乡间别墅后，发现这儿原来有着一群不同时期的鬼魂，而他们都想把主角二人赶出去。
备注：已完结
类型：欧美剧
主演：丹妮尔·罗丝·拉塞尔 阿里·沙哈塞米 卡尔利·布赖恩特
导演：杰弗里·G.亨特
语言：英语
年代：未知
简介： CW的《吸血鬼日记 The Vampire Diaries》及《吸血鬼始祖 The Originals》共同衍生剧《吸血鬼后裔 Legacies》背景设置在Salvatore学校里，17岁的Hope Mikaelson（Danielle Rose Russell饰，狼人﹑吸血鬼 ﹑女巫三重混血种）﹑Alaric Saltzman的双胞胎Lizzie﹑Josie，及其他拥有超自然血统的的年青人在此既可能建立起自我，亦可能被冲动所蒙蔽。所以他们究竟会成为英雄，还是如血统本质下成为反派？而他们的行为都在校长Alaric Saltzman（Matthew Davis饰）的监督之下。
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类型：剧情片
主演：乔治·麦凯 莉莉-罗丝·德普 帕迪·康斯戴恩 马丁·麦凯恩 泰瑞·诺塔
导演：娜塔莉·比安切里
语言：英语
年代：未知
简介： 故事主人公是一个名叫雅各布的男孩，他认为自己是一只困在人类身体里的狼。影片一开始，他来到一家专门治疗他的疾病的诊所，这种疾病在我们的社会中是真实存在的，而且还在不断恶化，被称为物种焦虑症。 这家诊所被当地人戏称为动物园，里面大多是青少年和孩子，他们以为自己其实是松鼠、老虎和熊猫等。在各种刺耳的动物叫声中，患者经历了许多不同的压抑疗法。其中一种就是可怕的羞辱疗法，在这种疗法中，受试者被迫表现得像他们自称的动物一样极端，比如一个以为自己是鹦鹉的女孩被带到屋顶强迫飞翔，而另一个自称是松鼠的男孩则被强迫爬上一棵树，结果弄得手指甲流血不止。但当雅各布有机会嚎叫，像狼一样行动时，他却感到释放。与那些逐渐放弃动物自我的青少年同龄人不同，他离治愈越来越远。 唯一能缓解他日益不安的是野猫，一个22岁的神秘病人，雅各布和她在深夜徘徊在医院。两人形成了一段不可思议的友谊，并逐渐发展成对各自的迷恋。但是，当雅各布被逼到极限时，他恶毒地攻击了一位治疗师，并被关在一个被称为笼子的单独监禁形式中，野猫看到了他的真实本性。他能为了爱情而放弃真实的自我吗?他能压抑自己的身份去遵守社会的规范吗?
备注：已完结
类型：欧美剧
主演：罗丝·麦克莱弗 莫莉·哈根 杰弗里·文森特·帕里塞 朱国安
语言：英语
年代：未知
简介：就读于某医学院的奥利维娅·“丽芙”·摩尔（罗丝·麦克莱弗 Rose McIver 饰）学业精进，甜美可人，她原本拥有美好光明的人生，谁知一个反常的决定彻底颠覆了她既定的命运经不住同侪的劝说，她参加了一个在轮船上举行的狂欢派对。可是派对上一种神秘的药物令所有人变成了嗜血如命的狂暴丧尸。次日一早，奥莉维娅从裹尸袋中坐起，她明明已经死去，如今则以丧尸的身份复活。外貌和气质的巨大转变以及可怕的遭遇令家人手足无措，而身体内对脑子的渴望也让她焦灼不堪。为此奥莉维娅在西雅图验尸官办公室谋得一份职业，从此她有了稳定的食物来源，与此同时她发现自己也顺势拥有了死者的记忆……本片根据CW电视台与DC漫画合作的同名漫画改编。
备注：已完结
类型：欧美剧
主演：罗丝·马塔费奥 明妮·德里弗 Liz Kingsman 纳尔夫·李特
导演：内详
语言：英语
年代：未知
简介： With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women. Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life. In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led. Kate Daughton, outgoing Head of Comedy at the BBC, says: Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female. Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t). Shane Allen, Director of BBC Comedy, says: Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long. Charlotte Moore, Chief Content Officer, says: Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.
