备注：已完结
类型：战争片
主演：乔吉斯·伯乔利 布丽吉特·佛西 阿梅代 洛朗斯·巴迪 Madelein
导演：雷内·克莱芒
语言：其它语言
年代：未知
简介：故事发生在第二次世界大战期间，战争的炮火摧毁了平民们赖以生存的家园，无奈之下，他们只得踏上了逃亡的旅程。在一次敌方轰炸中，五岁的女孩保莱（布丽吉特·佛西 Brigitte Fossey 饰）目睹了父母和爱犬被炸死的场面。在恐惧和震惊之中，保莱找到了小狗的尸体，正当她伤心欲绝的时候，名叫麦克（乔吉斯·伯乔利 Georges Poujouly 饰）的男孩出现在了她的眼前。 麦克被保莱悲惨的遭遇所感动了，他说服了自己的父母收养这个可怜的小姑娘，并且为她的小狗制作了一个坟墓。可是，麦克所作的一切都不能减轻保莱的痛苦，看着她悲伤的神情，麦克想到了一个法子。两个孩子收集了战争中死去的动物的尸体，并用偷来的十字架为它们树立了墓碑，然而让两个孩子没有想到的是，正是这一善良的举动造成了他们最终的分离。
备注：已完结
类型：剧情片
主演：让-克洛德·布里亚利 奥罗拉·康纽 碧翠丝·罗曼德 洛朗丝·德莫纳汉
导演：埃里克·侯麦
语言：法语
年代：未知
简介：35岁的中年外交家杰罗姆（让-克劳德·布里亚利 Jean-Claude Brialy饰）是一个具有深刻洞察力和幽默感的男人。即将结婚的杰罗姆，以单身汉的身份参加了老朋友奥罗拉（奥罗拉·科努 Aurora Cornu饰）邀请的度假之旅。在美丽而宁静的乡村庄园，奥罗拉介绍了两位花季少女劳拉（碧翠丝·罗曼德 Béatrice Romand饰）和克莱尔（劳伦斯·莫纳亨 Laurence de Monaghan饰）与他认识。年轻美丽的克莱尔让杰罗姆不能自拔地心生欲望。当他看到克莱尔的男友抚摸她膝盖的动作，产生了也要摸一摸克莱尔膝盖的念头。 由国际电影大师埃里克·侯麦执导的影片《克莱尔的膝盖》，是侯麦《六个道德故事》的系列影片之一。本片荣获1972年第29届金球奖电影类-最佳外语片提名等多项大奖。
备注：已完结
类型：剧情片
主演：菲利克斯·勒费弗尔 本杰明·沃辛 菲莉皮娜·维莱芝 瓦莱丽亚·布鲁尼·
导演：弗朗索瓦·欧容
语言：法语
年代：未知
简介：弗朗索瓦·欧容将拍摄第19部长片[八四盛夏](Eté 84，暂译)影片选定菲利克斯·列斐伏尔(Félix Lefebvre)、本杰明·沃辛([快乐王子])、菲丽娉·维芝(Philippine Velge)三位年轻演员主演。影片以一个简单的问题为出发点：1980年代，16岁的你，待在诺曼底的海滨度假胜地，你有什么梦想？ 是需要一个最好的朋友？还是一个需要终身履行的青少年约定？在船上或摩托车上冒险？还是在急速中生活？不！你的梦想是死亡。因为你无法获得比死亡更大的激励。这就是你将它存放到最后的原因。这个故事描绘了Alexis如何成长为真的自己。影片已在5月27日开始在特雷波尔开始拍摄，将持续拍摄到6月14日，6月17日-21日在迪耶普附近的海滩取景，并将于诺曼底、巴黎取景拍摄。
备注：已完结
类型：剧情片
主演：帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·
导演：马塞尔·卡尔内
语言：法语
年代：未知
简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
备注：已完结
类型：剧情片
主演：热拉尔·德帕迪约 沃捷希奇·帕斯佐尼亚克 Anne Alvaro 洛朗
导演：安杰伊·瓦伊达
语言：法语
年代：未知
简介：◎ 简 介： 波兰导演瓦依达将法国大革命时期的两个英雄人物搬上银幕，他们是丹东与罗伯斯庇尔，他们本来是一起分享革命胜利的革命派，却无奈因为理想的不同而分道扬镳，后来更成为夙敌。以罗伯斯庇尔为首的公安委员会，为了镇压反革命暴乱和打击投机分子，实行恐怖政策，因打击面过宽造 成人人自危。在那种环境下，... ◎ 花 絮： 这是一部用新的视角探索和评价法国大革命的历史片，揭示了革命阵营内部的国民公会与救国委员会、公安委员会之间的矛盾与斗争。瓦依达对历史上的真实人物性格做了改动，将丹东描绘成一个充满理想和热忱、敢于斗争而不惜牺牲自我的英雄人物，目的在于借用法国大革命的历史来呼应其时正如火如荼的波兰团结... ◎ 获 奖： 1984年 英国学院奖最佳外语片奖 1983年 法国恺撒奖最佳导演奖 1984年 伦敦评论协会年度最佳导演奖 1982年 法国电影路易斯·德吕克奖 1984年 波兰电影节评论奖
