备注:已完结
类型:剧情片
主演:埃里克·库尔姆 阿德里安娜·赫勒比茨卡 厄克·卢博斯 亚当·沃诺维茨
导演:Mitja Okorn
语言:波兰语
年代:未知
简介:一名前途无量的年轻拳击手在妻子的陪伴下逃离共产主义波兰,追求成为史上最伟大拳击手的梦想
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类型:剧情片
主演:Marta.Mazurek Michalina.Olszańska 金
语言:国语
年代:未知
简介:華沙的夜店家族在岸邊遇見一對媚豔曼妙的美人魚姊妹,自此她們成為表演裡最轟動的巨星霓光爛熳,醉人也醉魚,她們不惜一切只為變成人,妹妹甚至愛上俊俏貝斯手,然而卻無法抑止自己嗜血的本性。波蘭新銳女導演以歌舞片形式翻拍童話寓言,驚悚、怪誕、華麗、敢曝,如《搖滾芭比》卻又展新意。在慾樂潮平後,汨汨滲出的泡沫是不顧一切的、最真摯的愛。
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类型:剧情片
主演:米哈乌·热布罗夫斯基 艾丽卡·巴赫蕾达-库鲁斯 达尼尔·奥勒布里斯基
导演:安杰伊·瓦伊达
语言:其它
年代:未知
简介:19世纪初,波兰-立陶宛帝国遭到俄罗斯、普鲁士和奥地利的入侵,帝国犹如大厦将倾,岌岌可危。正在危急时刻,一部分波兰人将希望寄托在拿破仑的身上。他们与拿破仑达成协议,法军帮助波兰人拯救家园,作为回报,波兰人将协助法国人攻打俄罗斯。 在波兰的乡间有两个对立的显赫贵族,他们的仇恨从18世纪末便已延续。霍里斯兹克家族支持独立,亲善法国;苏普里卡则对俄国向存好感。两个家族的矛盾在国破家亡之际更加激烈,而苏普里卡家的塔杜斯(Michal Zebrowski 饰)却在这个时刻爱上了对方的女子…… 本片根据立陶宛(波兰)诗人Adam Mickiewicz的长篇叙事诗《Pan Tadeusz》改编,并荣获2000年波兰电影奖最佳女演员、最佳摄影、最佳剪辑等六项奖。
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类型:剧情片
主演:马雷克·瓦尔切夫斯基 伊萨贝拉·奥斯则瓦斯卡 埃娃·津泰克 达尼尔·奥
导演:安杰伊·瓦伊达
语言:其它
年代:未知
简介:Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.
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类型:剧情片
主演:耶日·泽尔尼克 维斯瓦娃·马祖尔凯维奇 芭芭拉·布雷尔斯卡 卡齐米日·
导演:耶尔齐·卡瓦莱罗维奇
语言:无
年代:未知
简介:年轻的法老拉姆西斯十三世与埃及神职人员在影响国家事务和国库方面发生冲突。
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类型:剧情片
主演:马里乌什·德莫霍夫斯基 贝娅塔·蒂希基维茨 菲耶夫斯基·塔德乌什 Ja
导演:沃伊切赫·哈斯
语言:其它
年代:未知
简介:The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)